ARTHUR RIMBAUD

20 October 1854 – 10 November 1891)

Just a few meters from the grand place in Brussels hangs this plaque
where the Courtrai hotel stood where Arthur Rimbaud was shot and wounded
by his lover, the poet, Paul Verlaine on the 19th of July 1873

Rimbaud/verlaine plaque in Brussels

I’LL NEVER LOVE AGAIN
THE BALLAD OF ARTHUR RIMBAUD

I LOVED HIM WELL
THOUGH I KNEW HE HAD A WIFE
I FOLLOWED HIM AROUND
TILL HE TRIED TO TAKE MY LIFE
I WAS FAITHFUL — I WAS TRUE —
HE HAD A NEW BORN BABY, TOO
HE WAS THE GREATEST POET THAT I KNEW
FROM PARIS TO LONDON TO BRUSSELS
WE FOLLOWED
MISTRESS IN BODY AND MISTRESS IN BOTTLE-
FAITHFUL RIMBAUD AND
TREACHEROUS ABSINTHE
ONE WANTED HIM TO RISE,
THE OTHER WANTED HIM TO SINK
CHORUS: ​I GAVE IT ALL UP FOR LOVE
AND I’LL NEVER LOVE AGAIN
POETRY AND PAULIE WERE TOO CLOSELY LINKED
I’LL NEVER WRITE AGAIN IT WOULD CAUSE ME TO THINK
OF HOW I FELT, AND HOW I KNELT
AND HOW MY POOR YOUNG HEART WAS SHOT TO PIECES
NOW I BID THIS CURSED CONTINENT FAIRWELL
AND A LOVE TOO TRUE I MUST SHELVE
IF IT WAS A CRIME, IT WAS THE CRIME OF LOVING TOO MUCH
IT WAS THE BRIDEGROOM FROM HELL THAT ROUGHED ME UP
THOUGH THE BULLET FROM HIS GUN ONLY GRAZED ME
MY HEART EXPLODED DEVASTATINGLY
I WAS THE VIRGIN — I WAS THE BRIDE  (NOW I’M THE WIDOW)
MY INNOCENCE IS ENOUGH TO MAKE ME CRY
IN SORROW AND IN SHAME HE WENT TO PRISON
I RETURNED TO MY MOTHER’S, WHERE I SET DOWN THIS VISION
AIN’T IT A SHAME WHEN YOUR LOVE IS IN VAIN
I SPENT A SPRING IN HELL WITH PAULIE VERLAINE
NOW IT’S TIME TO BURY MY MEMORIES
AS WELL AS MY CAREER AS TELLER OF STORIES
AND TRY TO LAUGH AT THESE AFFAIRS OF OLD
POSSESSING THE TRUTH — WITHIN ONE BODY — ONE SOUL

from the play TIGHTROPE (SEE WEB PAGE)
and see video
https://www.youtube.com/watch?v=nigOrDoH-T8
32:00-38:00

THE TRIAL Of ARTHUR RIMBAUD

INQUISITOR
Mssr. Rimbaud, do you solemnly swear to tell the truth,
the whole truth and nothing but the truth, so help you god?
RIMBAUD
I do. But where to begin?
With your mouth that speaks of garlic and lilacs?
Or your feet, which reek of sulfur and sweat?
Or your cock, which still smells of last night’s encounter
with your mistresses fundament?
Yes, where to begin.
Oysters on the half shell. Mussels on a bed of leeks, endive.
Double fried potatoes, which the English, in all stupidity
forever changed the course of culinary history by calling
them French, when every German, Dutchman
or Frenchman know them as Belgian.
INQ
Now, now, Rimbaud. How old are you?
RIMBAUD
Old enough!
INQ
And how old is that?
RIMBAUD
I’m nineteen, but I’ll be twenty in a few months.
Want to send me a birthday gift?
INQ
Where do you live?
RIMBAUD
With my mother in Charleville, France, near the Belgian border.
INQ
Son, you’re on trial for the crime that hath no name.
RIMBAUD
What crime si that you ole’ buggerer?
INQ
How dare you call me a…
RIMBAUD
A buggerer?
INQ
You little snot nose!
RIMBAUD
The crime that hath no name? How about sodomy or fellatio?
INQ
Don’t put words in my mouth, Rimbaud.
RIMBAUD
Fellatio is in the mouth of the beholder, Inquisitor.
INQ
Come again? It is beauty that is in the mouth.
RIMBAUD
You bored old hypocrite. You miserable wretch.
Whip your horses to the utmost – excitement, money, politics!
You are on your way ot creating a whole nation of lunatics.
INQ
Listen to me, you little punk.
RIMBAUD
I am an animal, a nigger. But I can be saved.
Maniacs, savages, misers, all of you.
Businessman – general — emperor – president.
You’ve drunk a liquor no one taxes – – from Satan’s still.
This nation is inspired by fever and cancer.
Invalids and old men are so respectable that they ask to be boiled.
The best thing is to quit this continent where madness prowls —
out to supply hostages for these wretches.

Fare thee well Phil Lesh

WARP WAIFS

WHEN THE MUSIC’S PLAYING
AND MY EYES ARE CLOSED
I SEE MY ANCESTORS
DANCING QUITE BOLDLY
THE MUSIC REVIVES THEM,
JUST AS IT MOVES WE
A COMMINGLING OF ERAS,
A SPACE TIME WARP FRATERNITY
ENCHANTED SPIRITS, WANDERING GHOSTS
HELLRAISING SPECTRES, LUMBERING OAFS
OVER SNOWY MOUNTAIN PEAKS,
TWENTY THOUSAND FEET HIGH
I SAW THEM ONCE,
BUT NOT THROUGH MY EYES
WITH THE EXACTNESS OF MATH
& THE PASSION OF FAITH
SANG WANDERING CHIEFS
DISGUISED AS MUSICAL WAIFS
*********

excerpt from Tightrope (see webpage)
PABLO 
I think music not only has the ability to alter our perception of time,
but also to carry us to other dimensions,
to move us physically from one place to another..
SAL 
I can believe that.
One time I was at a Dylan concert at Madison Square Garden
and I felt the entire concert hall lift up a meter.
PABLO 
Well, I’ve got you beat on that one.
SAL  
What happened to you?
PABLO  
Well, when all the factors were working together,
I’d be listening to the Grateful Dead listening to the Other One,
and I’d be transported.  First, I feel like I’m in a rocket ship.  
Then it would accelerate with the booster rockets.  
And after we picked up some speed,
we’d arrive in orbit around the earth.  
I’d see meteors buzzing past
and then after a beautiful spin around the planet
we’d reenter the atmosphere and return home.  
It was incredibly refreshing — like being reborn
from the fountain of youth or something!
*********
JERRY GARCIA REMEMBERED

YOUR SPIRIT SWIRLS
THROUGH GLASS BLOWN TURQUOISE
A LICKETY SPIRIT RIDING 
ON A LIQUID PLUME OF MAGIC OIL
A CARPET WOVEN OF SKULLS & ROSES
ON WAVES FLOATING & SLIPPING
THROUGH THE GAUZY VEILS
OF PARADISE
*******

Two lead guitars Phil on bass and Jerry on electric guitar
Bob playing rhythm difficult to duplicate
and the drummers playing off each other
Hart & Kreutzmann driving the engine
of wodan’s wild ride
through the night sky